Instagram Facebook Youtube

Tag: Horror

Categories
Emily Movies News

The Joe Haggerty Legacy Collection Box Set

The Joe Haggerty Legacy Collection Box Set

After 10 years of being in the vault, my feature film directorial debut, Who Was Buffalo Bill?,  has been released on DVD as part of The Joe Haggerty Legacy Collection Box Set. Do you like low-budget cult horror? Looking for a box set that has a little something for every horror fan on your list and that one guy who only wants to watch dramas? Do you want to see me play a porn star but not take off any clothes or do anything remotely sexy? (That last one is oddly specific but I am not going to judge). Well, if you have answered yes to any or all of those questions, The Joe Haggerty Legacy Collection Box Set is for you!

In addition to Who Was Buffalo Bill?, the collection features “Camp Blood” and “Camp Blood 2” (Blu-ray, presented in 2D & Blu-ray 3D), Grindhouse Double Feature with “Evil Unleashed” and “Zombie Chronicles” (Blu-ray, presented in 2D & Blu-ray 3D), “Dark Crimes” (DVD), and “Camp Blood 8“. More importantly, the collection has bonus features including a making-of discussion with yours truly and other Who Was Buffalo Bill? cast & crew. We share behind-the-scenes stories and reminisce on our favorite moments in the film. Of course I also ham it up for the camera – just a bit.

You can purchase your box set today through Makeflix for $89.99.

Who Was Buffalo Bill?

Who Was Buffalo Bill? is a “mumblecore” (Joe’s term) drama about a literary agent who receives poetry from a liquidator handling the estate of William F. Marquard III, aka “Buffalo Bill”, a porn actor who recently died from an OD. The poetry is superb, but did Buffalo Bill really write it? The agent teams with a documentary filmmaker to find out who this intriguing man really was, and in the process questions if we ever really know anyone.

The film was shot as a series of interviews with the various people in Buffalo Bill’s life. For a film with an ample array of porn star characters, we didn’t show anything racy – except for a little pan up on my legs at one point. We also didn’t have any cutaway shots – everything was just two cameras documentary style. It was quite the acting challenge to essentially monologue and know that the camera would be catching any imperfection in the performance, but our cast pulled it off wonderfully!

Although this was just my first feature film (and my inexperience certainly shows), I am immensely proud of my work. I managed to direct a large, diverse cast of SAG actors. Being a young woman in a director role, I had to overcome biases and assert myself in a very male-dominated field. On top of all that, I also acted in this film – playing porn star “Sandy Brown” – and having no time to change out of my costume before directing the next scene!

Get Your Joe Haggerty Legacy Collection Box Set Today!

I know 90 bucks is steep, but consider supporting indie filmmakers. It’s a great opportunity to own some fun cult horror in addition to a high brow drama. It’s your only chance to see my first feature film in the comfort of your home! Get yours before they are all gone!

2024 Halloween Shopping

September 4, 2024 No Comments

Happy Halloween shopping 2024! For over two decades now, the Halloween shopping season has been my main time for household and clothing purchases. Each year, I love to shop around

Read More »

57 Ghosts

February 16, 2024 No Comments

Take part in a spirited séance aboard the historic – and haunted – Queen Mary with 57 Ghosts. From Master Magician and Apparitionist Aiden Sinclair, this 90-minute immersive experience takes

Read More »
Categories
Emily News

My History of Halloween & Horror: Part II

My History of Halloween & Horror: Part II

In My History of Halloween & Horror: Part I, I discussed my childhood and the ways my family fostered my love for all things spooky. In Part II I want to give an overview of my professional background. I am more than just an enthusiast – my jobs have given me insight into the inner workings of the film, haunt, and Halloween industries. Amazingly, I have made a living doing what I love. As a result I have acquired a vast knowledge base to help my eerie endeavors. I am a Halloween/horror professional!

Using that USC Film Degree

I have always liked the phrase “movie magic”. There is something magical about sitting in a darkened room full of strangers, coming together through a shared experience. Films can transport you into a fantastic world that reflects the best and worst of society. They can help you to look through the eyes of someone whose life is drastically different from your own and grow in understanding. Being on a film set is also magical. A team of highly talented individuals come together for a shared goal of creating a unique world for others.  

Both Sides of the Filmmaking Process

Following film school, I spent a few years dabbling in post-production. I honed my editing skills with the very non-horror “Prune Like a Pro” Youtube series, editing over 180 plant and nature-related videos. I also worked for two professional post-production/marketing companies, where I learned about the process of creating trailers and other marketing materials for film & television. My favorite experiences were learning how professional editors created marketing materials for the remake of Carrie, Full Moon Features films, and other scary fare. Although editing felt satisfying – like solving a gigantic jigsaw puzzle – I realized that sitting alone in a dark room staring at a computer for hours upon hours was not the job for someone as social as me.

So, I switched to the opposite side of the filmmaking process. I worked with the BlueCat Screenplay Competition first as a reader, then Competition Coordinator, and finally as their Social Media Coordinator. Spending my days reading hundreds of screenplays and learning from a top-notch mentor gave me new perspectives on crafting a script. There are so many talented horror writers from around the world, and so many amazing horror stories just waiting to be produced! I, however, am decidedly not a writer, and I wanted something more hands-on and collaborative.

My History of Halloween & Horror: Filmography

You can’t get more hands-on and collaborative experience than on a film set. I love to be both in front of and behind the camera. Luckily, I have had ample opportunity for both! Check out some of my works:

 

Features:

Howard the Doc or: How I Learned to Start Quacking and Love the Bomb – Self

9 Ways to Hell (2022) – Director (“Gluttony”), Actress (“Gluttony”)

Who Was Buffalo Bill? (2016) – Director, Actress

Killer Party (2014) – Script Supervisor

Fable: Teeth of Beasts (2010) – Production Assistant

 

Shorts:

Not Pregnant (2016) – Actress

Safe & Sound (2015) – Actress, Writer, Producer

Under the Bed (2015) – Writer, Actress, Producer

Fade to Black (2013) – Actress

Goth Girl: Season 2, Episode 11 (2010) – Actress

My History of Halloween & Horror: An "Event-ful" Life

Growing up, my Dad and I drove up to 7 hours away to attend horror movie conventions. From Chiller Theater in New Jersey, to local Buffalo-area cons, we went to every one we could, speaking to filmmakers and celebrities (and collecting autographs for the movie room). Additionally, we attended non-horror fare: toy train shows, air shows, toy collectable conventions, etc. I had a lot of fun attending conventions and always thought of them as nice ways to spend a weekend. They were just fun little diversions, and I never gave them too much consideration outside of that.

I never thought to volunteer for one until my senior year of college, where I had the opportunity to go to Las Vegas for Fangoria’s Trinity of Terror convention. I skipped a day of classes and got the cheapest hotel room I could find so I could spend the weekend working the event. The experience was electrifying. During the show I worked with the event videographer and interviewed Malcolm McDowell, John Waters, my childhood idol Kritsy Swanson, George Romero, and more.  Unfortunately, the event is known in certain circles as “the best convention no one attended” so I never got the chance to work that event again. 

ScareLA: SoCal's Premiere Halloween Convention

Struggling to survive for a few years after college kept me from working for free again, but all that changed in 2013 when I stumbled across a Facebook page for a new upcoming Halloween convention right in LA (so no hotel room required). I sent them a Facebook message and a day later received a response. I didn’t know it then, but this opportunity would change the entire course of my life.

ScareLA was the “premiere Halloween convention in SoCal” (a tagline I championed from year-one) from 2013 – 2018. I started as an assistant to one of the event’s founders on the show floor. A month before the event I left my job at a post-production house so I had far too much time on my hands to prep for the event. My 50+ page event binder with every single detail about the event impressed management and the next year I was on payroll as the Exhibitor Coordinator. By year three I was a close assistant to both founders of the event – even working with them on projects outside of ScareLA. 

Starting in 2016, I became the Exhibition Producer for ScareLA’s final three years. In addition, I coordinated the event’s Screening Room, showcasing filmmakers from around the world.

Lifelong Lessons

My co-workers and mentors at ScareLA instilled in me many key lessons that I still hold in my heart:

  • The desire to showcase talented local artists & artisans
  • Bringing together creative individuals from a multitude of disciplines and utilizing their talents in new ways
  • Breaking down cliques and egos that often divide people in the horror/Halloween communities
  • Fostering emerging talent and empowering new creators
  • Identifying trends in the industry to better provide experiences that audiences are craving
A New Perspective

Until ScareLA, I had never even thought that the events industry could be a career path for me. I usually associated careers in events more along the lines of party planning, wedding planning, or catering. This event showed me that I could make a living creating interactive spooky experiences. After two years of ScareLA, I stopped looking for full-time film work in post houses or studios and decided that the flexibility and fun of the events world was the best fit for me.

ScareLA will forever hold a special place in my heart. I am very proud of the event we created and all the talented individuals we supported and highlighted during the years of the event. Our model has since inspired other events around the country. 

A Pro of Cons

Although one event may take an entire year’s worth of work to produce, to pay the bills, a person usually needs more than just one event. That variety is what makes the events industry so dynamic and exciting. It also allows me to constantly bring new techniques and ideas to all the events I work with. 

I have been involved in a number of events and trade shows in Southern California – specializing in horror, Halloween, and cinema. Highlights include:

  • Cine Gear Expo LA, NY, & ATL – Exhibitor Director (2015, 2017 – Present)
  • TD Events – Events Assistant (2017 – Present)
    • Oscars Governors Ball
    • Emmys Governors Ball 
    •  ADG Awards 
    • Politicon 
    • Disney DCPI Booth at D23 (2017)
  • Lightbox Expo – Exhibitor Floor Lead (2019), Discord Moderator (2020)
  • LA Times Festival of Books – Operations Bookworm (2016 – Present)
  • HauntX – Exhibitor Coordinator (2019)
  • WhedonCon/Hellmouth Con – Assistant to Vendor Manager (2019, 2022)
  • Politicon – Exhibitor Coordinator (2016)
  • Days of the Dead LA – Celebrity Handler / Show Floor Volunteer (2013, 205)
  • LA Horrorfest – Ticketing Volunteer (2012)

Screamfest is the largest and longest-running horror film festival in the U.S. I have been a proud volunteer with this festival since 2013. The event highlights horror filmmakers from around the world for 9 crazy days each October.  They also host monthly Fears & Beers movie nights with classic horror favorites.

Recently, I have also been their Volunteer Coordinator. I oversee a group of 20+ horror film fans who work together to support the fest. It is a joy to have worked with such kind and dedicated team members for all these years. Plus I get to meet new friends each year! 

Looking for something scary to watch? Check out their Youtube channel or read some of my past Film Friday posts:

My History of Halloween & Horror: Haunt Industry

Rounding out my experience in the horror/Halloween world is having worked in professional haunted attractions.

Delusion

I spent a season with Delusion for their production of “Masque of Mortality” in 2013. Over the summer I helped build/paint/set up the venue and then worked behind the scenes for the finale room for the haunt’s limited-time run. This was my first taste of the professional haunt industry. I loved how it blended a haunted house and theatrical production. Watching how each group and performance was timed to allow actors to weave from scene to scene was awe-inspiring. I have heard that I can briefly be seen at work in the behind-the-scenes footage of Delusion in the special features of the Haunters: The Movie DVD. Let me know if you spot me!

Universal Studios Hollywood: House of Horrors

In 2014 I was able to call Dracula, the Wolfman, and Frankenstein’s Monster colleagues while working at Universal Studios Hollywood as a House of Horrors Attraction Host. I enjoyed entering the lot every morning, donning a uniform with a Dracula or Frankenstein poster image on the back, and helping to scare the living daylights out of tourists. Adding little flourishes to the safety spiel was a highlight of my day: “Please remember to hold onto everything you do not want to lose while in the attraction – such as hats, glasses, loved ones…”

I also loved to tease the scaredy-cat of each group. They would typically cling onto someone at the back and as they entered the attraction, I would whisper, “Our monsters like the ones at the back the best”. 

Haunted Attraction Network

After working with Philip Hernandez at ScareLA, I admired his dedication to the haunt industry and the way he truly wanted to help haunters spread the word about their events. Philp’s Haunted Attraction Network is the leading news resource for haunted attractions. Reaching up to 100 million people, HAN informs, connects, and educates a wide global audience from enthusiasts to professionals. Since 2020 I have been a regular contributor to the website & weekly newsletter. You can also see me featured in a few of our videos (like Springtopia LA) and podcast episodes. Subscribe to the HAN weekly newsletter to read my weekly news updates. 

I Love My History of Halloween & Horror

My history of Halloween & horror has touched every aspect of my day-to-day life from family to friends to my career. I have experienced every facet of the industry – content creation, events, haunts themselves, and more. These experiences have given me unique insights into the industry, and help me to highlight the best of the best.This blog is an opportunity for me to share news, events, and more that promote horror and Halloween. I hope to bring together other like-minded fans and creators so we can become a unified community of the macabre and spooky. After all, I truly believe Halloween is not a holiday you celebrate alone. Stay spooky, and stay tuned for more on TheHorrorOfBeingEmily.com.

Want to know more about me?

Emily Louise Rua on IMDB

Read My Short Stories in Haunters Tale: Volume II

My History of Halloween & Horror: Part I

2024 Halloween Shopping

September 4, 2024 No Comments

Happy Halloween shopping 2024! For over two decades now, the Halloween shopping season has been my main time for household and clothing purchases. Each year, I love to shop around

Read More »

57 Ghosts

February 16, 2024 No Comments

Take part in a spirited séance aboard the historic – and haunted – Queen Mary with 57 Ghosts. From Master Magician and Apparitionist Aiden Sinclair, this 90-minute immersive experience takes

Read More »
Categories
Events News

Fears & Beers Under the Stars – June 2023

Fears & Beers Under the Stars – June 2023

Get ready for a fully immersive experience as Screamfest’s Fears & Beers screens Friday the 13th Part IV: The Final Chapter under the stars. The screening will take place on Saturday, June 24th, 2023 at 8:30 p.m. at the McGroarty Arts Center in Tujunga, CA. Tickets are $15 and include a complimentary Angel City Brewery beer for guests 21+. DeadHead run cocktails will be available for purchase – served in collectible shrunken head cups. Additionally, Sarah’s Sammiches * Salads * Sides food truck will have some delicious menu items. Popcord, sodas, and more will be available at the concessions stand.

Prior to the main feature, Screamfest has another trick (or perhaps treat) up its sleeve – a special screening of the horror short, The Eyes. Directed by Screamfest alumni and local Tujunga filmmaker, Mike Timm, The Eyes premiered to rave reviews at Screamfest 2022. Delve into a world where nothing goes unseen as the eyes of karma haunts one man’s wrong choices in this unforgettable 80s camp creature thriller. It is the perfect pairing to the feature!

Friday the 13th Part IV: The Final Chapter

Haven’t seen this flick before? Brush up on the series for backstory on the lore and then get ready for “The Final Chapter”:

After the Crystal Lake Massacres, Jason is pronounced dead and taken to the hospital morgue, where he is mysteriously revived, allowing his diabolical killing spree to continue at the camp where the gruesome slaughtering began. But this time, in addition to terrified teenagers, he meets a young boy named Tommy Jarvis who has a special talent for horror masks and make up, leading up to a horrifying, bloody battle that will keep you on the edge of your seat! Has the diabolical Jason finally met his match? revives and embarks on a killing spree as he makes his way back to his home at Camp Crystal Lake.

Get Your Screamfest Fears & Beers Tickets Today!

Check in and food sales begin at 7:00 p.m. The movie starts at 8:30 p.m. No one under 17 will be admitted without a parent of guardian. 

The McGroarty Arts Center is located at 7570 McGroarty Terrace, Tujunga, CA 91042.

See you there!

Past Screamfest Fears & Beers events include:

My Bloody Valentine 3D

Ho Ho Horrors

2024 Halloween Shopping

September 4, 2024 No Comments

Happy Halloween shopping 2024! For over two decades now, the Halloween shopping season has been my main time for household and clothing purchases. Each year, I love to shop around

Read More »

57 Ghosts

February 16, 2024 No Comments

Take part in a spirited séance aboard the historic – and haunted – Queen Mary with 57 Ghosts. From Master Magician and Apparitionist Aiden Sinclair, this 90-minute immersive experience takes

Read More »
Categories
Movies News

Evil Dead Rise

Evil Dead Rise

From the visionary producers of the original classic comes EVIL DEAD RISE, a return to the iconic horror franchise that started with 1981’s THE EVIL DEAD. Moving the action from a cabin in the woods into the city, EVIL DEAD RISE tells the tale of two sisters, whose reunion is cut short by the rise of flesh-possessing demons. When are people going to learn you never want to read anything out loud from the Book of the Dead? EVIL DEAD RISE hits theaters nationwide on April 21, distributed worldwide by Warner Bros. Pictures. 

Watch the green band trailer below (or watch the red band trailer on Youtube):

Win Tickets to an Advanced Screening

Want to win tickets to an advanced screening of EVIL DEAD RISE at Regal Atlantic Station on Monday, April 10th, 2023? Enter my contest on my Instagram for a chance to win. 

Entering is easy:

  1. Follow my Instagram page
  2. Like the contest post
  3. Comment with your favorite iteration of the Evil Dead franchise so far – Is it The Evil Dead, Evil Dead II, Army of Darkness, Ash vs. Evil Dead, Evil Dead the Musical, or one of the other amazing spin-offs, reboots, games, etc.

I will pick the winner on Thursday, April 6th. The winner will receive (2) tickets to the advanced screening at 7:30 p.m. on Monday, April 10th at the Regal Atlanta Station in Atlanta, GA. Please arrive early as seating is first come, first serve.

Follow Evil Dead Rise

Stay up-to-date with all the EVIL DEAD RISE news on their official website & social media accounts:

 

2024 Halloween Shopping

September 4, 2024 No Comments

Happy Halloween shopping 2024! For over two decades now, the Halloween shopping season has been my main time for household and clothing purchases. Each year, I love to shop around

Read More »

57 Ghosts

February 16, 2024 No Comments

Take part in a spirited séance aboard the historic – and haunted – Queen Mary with 57 Ghosts. From Master Magician and Apparitionist Aiden Sinclair, this 90-minute immersive experience takes

Read More »

Mad Monster Party Arizona

Mad Monster Party is a horror, sci-fi, and fantasy convention that features top genre celebrities and vendors. The event is known for its meet & greets and photo ops. The vendor floor is full of collectibles, toys, and other horror, sci-fi, and fantasy themed wares.

Categories
Events News

Screamfest Fears & Beers: My Bloody Valentine 3D

Screamfest Fears & Beers: My Bloody Valentine 3D

Get ready for a deadly date night with your sweetheart! At 7:30 p.m. on Tuesday, February 14th, 2023 the Screamfest Fears & Beers: My Bloody Valentine 3D Screening will take place at the TCL Chinese 6 Theatres. My Bloody Valentine 3D is the 2009 remake of the classic 80’s Valentine’s Day slasher flick of the same name (minus the “3D”). The film is directed by Patrick Lussier and stars Jensen Ackles, Jaime King, Kerr Smith, and Betsy Rue.

The screening will include a Q&A with wdirector Patrick Lussier and other TBA cast members. Brush up on your My Bloody Valentine & horror trivia to win great  prizes. Attendees 21+ will also receive one complimentary beer per ticket. 

My Bloody Valentine 3D tickets are $16.00 each and can be purchased on Eventbrite. Purchased tickets will be available at the Screamfest will-call table in the theater’s lobby starting at 6:30 p.m. (NO EARLY ENTRY). Please bring your Eventbrite email confirmation.

My Bloody Valentine 3D

Tom returns to his hometown on the tenth anniversary of the Valentine’s night massacre that claimed the lives of 22 people. Instead of a homecoming, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one that believes he’s innocent.

Cast: Jensen Ackles, Jaime King, Kerr Smith, Betsy Rue

After the film, there will be a Q&A with cast & crew. Be sure to check the Screamfest website for participant announcements.

Get Your Screamfest Fears & Beers Tickets Today!

Spaces are limited for this screening and Q&A event. Get your ticket early to ensure your spot.

The TCL Chinese 6 Theatres is located at Ovation Hollywood, 6801 Hollywood Blvd, Los Angeles, CA, 90028.

Have a meal at one of the nearby restaurants and grab some popcorn from the theater’s concessions stand. This Screamfest screening is sure to get your heart pumping this Valentine’s Day. 

Past Screamfest Fears & Beers events include:

My Bloody Valentine 3D (2022)

Screamfest Ho Ho Horror Drive-In Screenings

2024 Halloween Shopping

September 4, 2024 No Comments

Happy Halloween shopping 2024! For over two decades now, the Halloween shopping season has been my main time for household and clothing purchases. Each year, I love to shop around

Read More »

57 Ghosts

February 16, 2024 No Comments

Take part in a spirited séance aboard the historic – and haunted – Queen Mary with 57 Ghosts. From Master Magician and Apparitionist Aiden Sinclair, this 90-minute immersive experience takes

Read More »
Categories
Movies

Naked Zombie Girl is Back

Naked Zombie Girl is Back

The Original - "Naked Zombie Girl"

Sometimes a film delivers on everything it promises. Rickey Bird’s 2014 short Naked Zombie Girl  is one such film. It has copious amounts of both zombies and naked girl – staples of the grindhouse zombie horror movie genre.  

I first came across this film at Screamfest Horror Film Festival in 2014. The filmmakers had brought in a large cardboard cutout of the film’s title character and I remember the snickers from the dozens upon dozens of attendees as they posed with it on Screamfest’s iconic “black carpet” – marketing genius right there. 

The film went on to rake in over thirty awards from various festivals.

The movie’s premise  is simple: three ill-fated survivors flee the city amidst a zombie apocalypse. Barabara (Meghan Chadeayne) loses not only her companions but also her dress as the zombie hoard descends upon them. With only her boots and a trusty chainsaw, the Naked Zombie girl must fight her way to survival. There is no place for modesty in the zombie apocalypse.

You can watch the original short on Youtube: 

The New Film - "Naked Zombie Girl is Back"

Watch the trailer below:

Eight years after the original film graced the film festival circuit, audiences and teenage boys everywhere rejoiced when we received a new installment of this grindhouse classic – Naked Zombie Girl is Back. The film is not really a sequel – it is more of a re-telling of the original with additional story elements, higher quality visuals, and more elaborate special effects and gore. 

Once again Barbara and her companions are on the run during a zombie apocalypse – this time with a bag of cash and being chased by a mysterious man with a gun. As Barbara loses her cohorts and her dress, she must fight off the zombie hordes and her pursuer to survive the night. 

At only twelve minutes and forty-two seconds, this short keeps you on the edge of your seat throughout. The on-screen kills are fun and utilize wonderful practical effects. I particularly love one scene where Barbara squishes a zombie with a car rim. Watching the zombie’s eye pop out is a nice little gory touch. 

Nicole Cinaglia shines as Barbara. She appears just as comfortable sawing a zombie in half with a chainsaw as she does running through the apocalyptic landscape in the nude. Although there is little in the way of dialogue in the film (what is really worth saying to a horde of the undead?), Cinaglia conveys Barbara’s strength and determination through her body language and facial expressions. With the basic premise of a naked woman killing zombies, it could have been played as pure schlock and exploitation, but Cinaglia adds depth to the character and exudes strength and confidence, bringing female empowerment to the role.

Naked Zombie Girl is Back premiered at Screamfest Horror Film Festival on October 16th 2022. The cast and crew all came out to support the film. Be sure to check out their Facebook page for some great pictures from the event. The audience had a blast at the screening. 

Overall, I highly recommend this fun grindhouse short. The company behind the film, Hectic Films, hopes that the short will attract producers and investors so they can create a feature-length film or episodic series. I would certainly love to see more of Barbara’s adventures – especially with Cinaglia in the leading role. 

Learn More About "Naked Zombie Girl Is Back"

Learn more about Naked Zombie Girl is Back on their official pages:

Website: https://nakedzombiegirlmovie.com/

Facebook: https://www.facebook.com/ngzmovie

Hectic Films Website: https://hecticfilms.com/home

2024 Halloween Shopping

September 4, 2024 No Comments

Happy Halloween shopping 2024! For over two decades now, the Halloween shopping season has been my main time for household and clothing purchases. Each year, I love to shop around

Read More »

57 Ghosts

February 16, 2024 No Comments

Take part in a spirited séance aboard the historic – and haunted – Queen Mary with 57 Ghosts. From Master Magician and Apparitionist Aiden Sinclair, this 90-minute immersive experience takes

Read More »
Categories
News

Rondo Hatton Classic Horror Awards 2022

Rondo Hatton Classic Horror Awards 2022

Since 2002, the Rondo Hatton Classic Horror Awards have been fandom’s only classic horror awards – decided by fans, for fans. 2022 marks the 20th anniversary of these awards! Every nominee is recognized for significant achievements in horror for 2021. 

There are many amazing films, DVDs, books, and more represented this year. I was excited to see the Screamfest alumn, “Good Head” nominated! I wish the best for all the nominees and know that whomever wins each category is certainly worthy of the honor.

How to Vote

Voting is by email only. Send an email to David Colton, at taraco@aol.com by Sunday night at midnight, April 17, 2022. Simply include in the subject: “Rondo Awards!” In the body of the message indicate your votes for this year’s awards.You do not need to submit a vote in each category. Write in as many selections as you would like.  Include your name and that’s it!
 
One vote per person, please. Every email must include your name to be counted. All votes are kept strictly confidential. The Rondo Awards promises no emails nor personal information will ever be shared with anyone.
 
See the complete ballot list below:

Rondo Hatton Classic Horror Awards 2022 Nominees

1) Best Film of 2021

Due to the pandemic, includes wide release, video-on-demand and streaming

  • ANTLERS
  • CANDYMAN
  • THE CONJURING: THE DEVIL MADE ME DO IT
  • DON’T LOOK UP
  • DUNE
  • FREE GUY
  • GHOSTBUSTERS: AFTERLIFE
  • GODZILLA VS KONG
  • HALLOWEEN KILLS
  • LAST NIGHT IN SOHO
  • MALIGNANT
  • NIGHT HOUSE
  • NIGHTMARE ALLEY
  • OLD
  • A QUIET PLACE, Part Two
  • SPIDER-MAN: NO WAY HOME
  • ZACH SNYDER’S JUSTICE LEAGUE
  •  Or write in another choice:

2) Best TV Presentation

  • CHUCKY, Bravo. The deadly doll is back. ‘We’re gonna party like it’s 1999.’
  • CREEPSHOW, Shudder. Episodes in the EC vein.  ‘Naperville Ripper Still at Large’
  • DOCTOR WHO, BBC America. The Thirteenth Doctor battles enemies old and new. ‘Don’t blink!’
  • EVIL, CBS. Mysteries with a supernatural twist. ‘If one word is spoken within the monastery walls, the demon will be out.’
  • FEAR STREET,  Netflix. Teenagers battle a town curse in three eras. ‘Would you say he was more Dawn of the Dead, or Night of the Living Dead?’
  • SERVANT, Apple TV+. M. Night Shyamalan’s look at a family’s odd nanny.  ‘She’s not the sweet child you think she is.’
  • MIDNIGHT MASS, Netflix. A priest shakes a village’s faith. ‘God still has a plan, and death isn’t part of it anymore.’
  • THE SQUID GAME, Netflix. Players must choose self-preservation to survive. ‘You have a reason to leave this place, but I don’t.’
  • THE WALKING DEAD, AMC. Negan’s former life is tragically revealed. ‘I am starting to think that I am capable of damn near anything.’
  • WHAT WE DO IN THE SHADOWS, FX. The vampires say farewell to one of their own. ‘How am I gonna eat if I don’t prey on people, dummy?’
  • YELLOWJACKETS, Showtime. Teen terror on an island lasts generations. ‘Hiding in the tree, she watches me at night.’
  • Or write-in another choice:

3) Best Blu-Ray OF 2021

  • THE AMAZING MR. X (1948; Film Detective)
  • AN ANGEL FOR SATAN (1966; Severin)
  • DEAD AND BURIED (1981; Blue Underground)
  • DEAD ZONE (1983; Shout!)
  • DOCTOR X (1932 Technicolor; Warners Archive)
  • FRANKENSTEIN’S DAUGHTER (1958; Film Detective)
  • THE INCREDIBLE SHRINKING MAN (1957; Criterion)
  • ISLE OF THE DEAD (1945; Warners Archive
  • KING KONG (1976; Shout!)
  • MILL OF THE STONE WOMEN (1960; Arrow)
  • MYSTERY OF EDWIN DROOD (1935; Kino)
  • THE POSSESSION OF JOEL DELANEY (1972; Imprint)
  • SECRET OF THE BLUE ROOM (1933; Kino)
  • TOMB OF LIGEIA (1964; Kino)
  • THE VAMPIRE LOVERS (1970; Shout)
  • Or write in another choice:

4) Best Blu-Ray Collection

  • ALL THE HAUNTS BE OURS: A Compendium of Folk Horror (15 discs, Severin). 20-film collection includes numerous rarities, companion material and video extras.
  • THE DUNGEON OF ANDY MILLIGAN 1967-1982 (8 discs plus CD, Severin). 14 films, some restored for first time; numerous shorts and special features.
  • THE EUROCRYPT OF CHRISTOPHER LEE 1962-1971 (9 discs, Severin) 6 films highlighting Lee’s European horror films; numerous extras.
  • HAMMER HORROR: Four Gothic Horrors (Imprint) Countess Dracula, Twins of Evil, Hands of the Ripper, Vampire Circus.
  • HAMMER VOLUME SIX: Night Shadows (Indicator). Includes Captain Clegg, Phantom of the Opera, Nightmare, Shadow of the Cat.
  • KOLCHAK: THE NIGHSTALKER: The Complete Series (1974-1975; Kino). Twenty episodes remastered, along with 21 commentaries.
  • THE MONSTER COLLECTION (Music Box Films). Two special effects documentaries, The Frankenstein Complex, and Phil Tippett: Mad Dreams and Monsters; plus bonus disc.
  • NIGHT GALLERY: Season One (Kino) All seven episodes with commentaries.
  • SILVER SCREAMS CINEMA (Imprint) Phantom Speaks, Return of Ape Man, She Devil, Unknown Terror, Vampire’s Ghost, Valley of the Zombies
  • THE SHERLOCK HOLMES VAULT COLLECTION (1931-37; Film Detective). Fatal Hour, Triumph of Sherlock Holmes, Silver Blaze, Study in Scarlet
  • UNIVERSAL CLASSIC MONSTERS: Icons of Horror Collection in 4K: Dracula, Frankenstein, Wolf Man, Invisible Man offered in 4K.
  • Or write in another choice:

5) Best Restoration or Upgrade

  • AN ANGEL FOR SATAN (1966; Severin) First official release, including restored audio.
  • DARK EYES OF LONDON (1939; Network) Remaster from original elements.
  • DEAD & BURIED (1981; Blue Underground). 4K upgrade.
  • DEMENTIA 13 (1963; Vestron) Francis Ford Coppola’s director’s cut.
  • DOCTOR X (1932; Warner Archives) Technicolor restoration, along with B/W version.
  • ELVIRA’S HAUNTED HILLS (2001; Shout!) 4K scan from original negative.
  • EYES OF FIRE/CRYING BLUE SKY (1983; Severin) First release along with longer alternate version.
  • THE FALL OF THE HOUSE OF USHER (1928) Restoration of silent by Richard Moses, music by Jay Woelfel; streamed on Silent Film Channel.
  • FLESH FOR FRANKENSTEIN (Andy Warhol’s Frankenstein; 1973; Vinegar Syndrome). Freshly scanned and 4K; colors brighter; 3-D version included.
  • THE INVISIBLE MAN APPEARS (1949, Arrow). First U.S. release of Japanese sci-fi.
  • THE KINDRED (1987; Synapse) Restored and uncut from original negative.
  • KING KONG (1976; Shout!). Includes complete expanded TV version.
  • KRAMPUS: The Naughty Cut (2015; Shout) Restored scenes and adult language.
  • MILL OF THE STONE WOMEN (1960, Arrow). Italian, American and French cuts included.
  • NIGHT GALLERY (1969; Kino) Restored two-hour pilot episode.
  • SANTA SANGRE (1990; Severin). 4K restoration of Alejandro Jodorowsky classic.
  • SKINNED DEEP (2004; Severin) Reassembled scenes from uncut negatives.
  • TIH-MINH (1919; Gaumont) Six-hour crime serial reconstructed and restored.
  • Or write in another choice:

6) Best DVD Extras

  • THE ATTIC EXPEDITIONS (2001, Severin). Online reunion with cast including Jeffrey Combs, Wendy Robie, Alice Cooper.
  • DARK EYES OF LONDON (1939; Network). Kim Newman, Stephen Jones discuss Lugosi’s UK work.
  • DOCTOR X (1932; Warner Archives): ‘Monsters and Mystery: The Horror Films of Michael Curtiz,’ directed by Constantine Nasr.
  • F.P.1. DOESN’T ANSWER (Kino): Includes U.S. version with Conrad Veidt.
  • FRANKENSTEIN’S DAUGHTER (1958; Kino) ‘Richard E. Cunha: Filmmaker of the Unknown,’ resurrects unseen film bio Cunha sent to Tom Weaver.
  • GRIZZLY (1976; Severin). Nightmare USA author Stephen Thrower documentary on director William Girdler.
  • HAMMER HORROR: Four Gothic Horror Films (Imprint): Three visual essays by Kat Ellinger among numerous features.
  • INCREDIBLE SHRINKING MAN (1957; Criterion) ‘Auteur on Campus: Jack Arnold at Universal’ documentary directed by Daniel Griffith.
  • THE KINDRED (1987; Synapse). ‘Inhuman Experiments: The Making of The Kindred.’
  • THE MEDUSA TOUCH (1978; Imprint). Visual essay by Ian McAnally on ‘Welsh Wizard’ Richard Burton.
  • NOSFERATU IN VENICE (1988; Severin) ‘Creation is Violent – Anecdotes From Kinski’s Final Years’ directed by Josh Johnson.
  • SHE FREAK (1967; AGFA/Something Weird) Compilation of David Friedman trailers.
  • THE VAMPIRE LOVERS (1970; Shout). New commentaries video features.
  • Or write in another choice:

 7) Favorite Commentator of 2021 

  • Craig Beam (Night Gallery)
  • Paul Castiglia (Haunted House episode, Abbott & Costello Show)
  • Travis Crawford (Demons 2)
  • David DelValle (Trog, Mystery of Edwin Drood)
  • Samm Deighan (Switchblade Sisters)
  • Kat Ellinger (The Seventh Seal, An Angel for Satan)
  • Lee Gambin (Day of the Animals; Possession of Joel Delaney)
  •  Gary Gerani (Night Gallery pilot; Dark Intruder)
  • Michael Gingold (Dead Zone)
  • Troy Guinn, Rod Barnett (Black Candles)
  • Steve Haberman (Isle of the Dead, Mad Love)
  • Bruce G. Hallenbeck (Capt. Kronos, Vampire Hunter)
  • Justin Humphreys (Flight to Mars)
  • Troy Howarth (Dead & Buried)
  • Tim Lucas (Night Gallery; Mill of the Stone Women)
  • Constantine Nasr (The Vampire Lovers; Night Gallery)
  • Kim Newman, Stephen Jones (Vampire Circus; Twins of Evil)
  • Amanda Reyes (Night Gallery; Phantom of the Mall)
  • Kelly Robinson (Ingagi)
  • Jonathan Rigby & Kevin Lyons (Hands of the Ripper, Countess Dracula)
  • Alan K. Rode (Doctor X)
  • David Schecter (various soundtrack commentaries)
  • Michael Schlesinger (Secret of the Blue Room)
  • Nathaniel Thompson (Dead & Buried)
  • Richard Harland Smith (Last Man on Earth; Prophecy)
  • Tom Weaver (Incredible Shrinking Man; Frankenstein’s Daughter)
  • Emma Westwood (Prophecy)
  • Taylor White (Night Gallery)
  • Or write in another choice:

8) Best Independent Film of 2021

Includes festivals and streaming channels.
 
  • THE ADVENT CALENDAR, directed by Patrick Ridgemont. Monstrous menaces intensify, day by day. See trailer here
  • BRAIN FREEZE, directed by Julien Knafo. Horror comedy from Canada, fertilizer zombies plague a gated community. See trailer here
  • CENSOR, directed by Prano Bailey-Bond. A film censor hunts down the source of a film, with shocking results. See trailer here
  • THE CHANGED, directed by Michael Mongillo. Neighborhood finds imposters taking their place. See trailer here
  • COME TRUE, directed by Anthony Scott Burns. Sleep study goes deeper than expected. See trailer here
  • CRAWLER, directed by Joe Ripple. The late Don Dohler’s last independent film. See trailer here.
  • FRIED BARRY, directed by Ryan Kruger. Aliens take control of hard-to-control loser. See trailer here
  • HORROR NOIRE, anthology of six tales from black directors. See trailer here
  • HOWL FROM BEYOND THE FOG, directed by Daisuke Sato. From Japan, monsters battle land grabbers. See trailer here
  • IT KNOWS YOU’RE ALONE, directed by Chris Alexander. An old phone washes up on shore. See trailer here
  • JAKOB’S WIFE, directed by Travis Stevens. Starring Barbara Crampton, vampiric happenings in a small town. See trailer here
  • KANDISHA, directed by Alexandre Bustillo and Julien Maury. A changeling demon stalks an abusive boyfriend. See trailer here
  • THE LOCKDOWN HAUNTINGS, directed by Howard J. Ford. Tony Todd stars as pandemic has its own special horrors. See trailer here
  • THE PHANTOM LAKE KIDS IN THE BEAST WALKS AMONG US, directed by Christopher Mihm. Neighborhood kids fight a hideous creature. See trailer here
  • RED SNOW, directed by Sean Nichols Lynch. An injured vampire offers a chance for fame to a frustrated horror writer. See trailer here
  • THE SADNESS, directed by Rob Jabbaz. A couple must escape a city filled with sadistic plague victims. See trailer here.
  • THE STYLIST, directed by Jill Gevargizian. A lonely hairdresser does more than cut hair. See trailer here
  • SAVE YOURSELVES! Directed by Alex Huston Fischer and Eleanor Wilson. Young couple shelter in the woods amidst an alien invasion. See trailer here
  • TITANE, directed by Julia Ducournau. A woman’s head injury could be linked to brutal crimes. See trailer here
  • WE NEED TO DO SOMETHING, directed by Sean King O’Grady. Family trapped by a tornado finds its own horrors. See trailer here
  • Or write in another choice:

 9) Best Short Film

  • THE BALLERINA, directed by Aaron Fradkin (8 mins). A dancer is haunted by her reflection. See film here
  • BRACKISH, directed by Christa Boarini (8 mins). A menacing spirit from the mangroves in this folktale of the Americas.  See film here
  • DAWN OF THE ATOMIC BEAST, directed by William Turner  (11 mins). Send up of 1950s 3-D, bubbles included. See film here
  • GOOD HEAD, directed by Matt Servitto (29 mins) Getting fitted for a prop movie head goes horribly wrong. See trailer here
  • THE GUEST: A Lockdown Story, directed by Andrea Lombardo (33 mins). A man finds an intruder in his house during Covid-19. See film here
  • HUNGRY JOE, directed by Paul Holbrook and Sam Dawe. About a boy who just can’t stop eating. See film here
  • KOREATOWN GHOST STORY, directed by Minsun Park, Teddy Tenenbaum (15 mins). Margaret Cho stars in tale of macabre marriage rituals. See film here
  • THE MOST HAUNTED HOUSE IN VENICE BEACH, directed by Ansel Faraj (17 mins). A haunting memory of L.A. Venice Beach. See film here
  • A NIGHTMARE IN THE SHOWER, directed by Shane and Aylward (19 mins). A disability doesn’t stop battling a radioactive menace. See film here
  • THE THREE MEN YOU MEET AT NIGHT, directed by Beck Kitsis (13 mins). A woman walks home and must decide among three different men. See film here
  • WHO GOES THERE? Directed by Astrid Thorvaldsen (23 mins). A stranger promises help, but with a price. See trailer here
  • Or write in another choice:

10) Best Documentary

  • BORIS KARLOFF: The Man Behind the Monster, directed by Thomas Hamilton. Actor’s biography includes numerous interviews, rare audio and vintage footage beyond Frankenstein. See trailer here
  • CARL LAEMMLE, directed by James L. Freedman. Exploring the founder of Universal films and his work with Jewish refugees before WW2. See trailer here
  • DARK SHADOWS AND BEYOND: The Jonathan Frid Story, directed by Mary O’Leary. Interviews and personal letters trace the story of television’s favorite vampire. See trailer here
  • PENNYWISE: The Story of IT, directed by John Campopiano, Chris Griffiths. Examining the original Tim Curry adaptation of the Stephen King novel. See trailer here
  • THE SLEEPER MUST AWAKEN: Making Dune, directed by Daniel Griffith. Tracking various attempts and the creation of David Lynch’s 1984 version. Available on Arrow Player
  • UNITED STATES OF INSANITY, directed by Tom Putnam, Brenna Sanchez. The story of horror rappers Insane Clown Posse. See trailer here
  • WOODLANDS DARK AND DAYS BEWITCHED, directed by Kier-La Janisse. (Severin) More than three hours and 50 interviews exploring the special world of folk horror. See trailer here
  • Or write in another choice:

11) Book of the Year (non-fiction)

  • ALWAYS THE BRIDE: A Biography of Elsa Lanchester, by Victoria Worsley (BearManor Media, hardcover, 276 pages, $35). Owning a nightclub, marriage to Charles Laughton and, of course, screen immortality.
  • BECOMING DRACULA: The Early Years of Bela Lugosi, Vols. 1 and 2, by Gary D. Rhodes and Bill Kaffenberger (BearManor Media, softcover, 447/436 pages, $38/$36) New revelations about Lugosi’s challenging journey to what became his signature role.
  • BEHIND THE KAIJU CURTAIN, A Journey Onto Japan’s Biggest Film Sets, by Norman England (Aiwa Books, softcover, 250 pages, $27.99). A look at the Japanese movie industry, including the sets of Godzilla and Gamera.
  • THE BODY SNATCHER: Cold-Blooded Murder, Robert Louis Stevenson, and the Making of a Horror Film Classic, by Scott Allen Nollen with Gregory William Mank (BearManor Media, softcover, 252 pages, $25). From Burke and Hare to Karloff/Lugosi.
  • BORIS KARLOFF: The Man Remembered, by Gordon B. Shriver (BearManor Media, hardcover, 234 pages, $35) Revised and expanded biography includes numerous interviews with Karloff co-stars.
  • THE BUCKEROO BANZAI COLLECTORS’ COMPENDIUM, by DeWayne Todd (Independent, softcover, 162 pages, $30). All about the marketing and promotional items surrounding the 1984 cult classic.
  • THE CAREER THAT DRIPPED WITH HORROR, by John Stanley (Independent, softcover, 254 pages, $23.99). Hundreds of photos, interviews (Stephen King, Ray Bradbury, Carrie Fisher, others), and remembrances from West Coast’s second Creature Features host.
  • CHANEY’S BABY: Lon Jr., The Wolf Man, 1948, and the End of a Dream, by Bill Fleck (Independent, softcover, 226 pages, $9.99). Triumphs, tragedy and report of a suicide attempt.
  • CREEPY BITCHES: Essays on Horror from Women in Horror, by Alyse Wax and Rebekah McKendry (BearManor Media, softcover, 204 pages, $25). Actresses, scholars and writers explore the world of the feminine fantastique.
  • DAMN DIRTY GEEKS: Talk Among Us (Independent, softcover, 264 pages, $33). Podcast veterans Jack Bennett, Frank Dietz, Rob Maynard, Scott Weitz and Frank Woodward on films that inspired them.
  • THE DARK SHADOWS DAYBOOK, by Patrick McCray (Independent, softcover, 252 pages, $12.99). A fresh tour of the key moments in the eternal saga of the Collins Family.
  • ESCAPE FROM NEW YORK: The Official Story of the Film, by John Walsh (Titan, hardcover, 160 pages, $47.99) Retrospective of 1981 film includes unseen artwork.
  • FROM THE INNER MIND … TO THE OUTER LIMITS: Scripts of Joseph Stefano, Volume 1, edited by Dave Rash (Gauntlet Press, hardcover, 529 pages, $60) Scripts for six teleplays, plus two never produced episodes.
  • THE GIALLO CANVAS: Art, Excess and Horror Cinema, by Alexandra Heller-Nicholas (McFarland, paperback, 258 pages, $45) How art and artists energize a murderous genre.
  • GLAMOUR GHOUL: The Passions and Pain of the Real Vampira, Maila Nurmi, by Sandra Niemi (Feral House, softcover, 400 pages, $21.95). A photo-filled biography by Vampira’s niece.
  • THE GREAT WAR and the Golden Age of Hollywood Horror, by R. Bruce Crelin (Midnight Marquee, softcover, 324 pages, $30). How WWI shaped the careers of James Whale, R.C. Sherriff, and J.B. Priestley and early horror cinema.
  • HERE THERE BE MONSTERS, by Bryan Senn (BearManor Media, softcover, 476 pages, $47). Interviews and essays from Universal to Hammer and beyond.
  • HOSTED HORROR ON TELEVISION: The Films and Faces of Shock Theater, Creature Features and Chiller Theater, by Bruce Markusen (McFarland, softcover, 251 pages, $39.95).Tracing the rise of late night ghoulish comforts.
  • LANDIS: The Story of a Real Man on 42nd Street, by Preston Fassel (Encyclopocalyp[se Publications, softcover, 148 pages, $9.99). The life and tragic legacy of the founder of Sleazoid Express.
  • SCRIPTS FROM THE CRYPT Vol. 11: Mr. Sardonicus, edited by Tom Weaver (BearManor Media, softcover, 290 pages, $30). Close-up look at the Ray Russell/William Castle classic.
  • SMOKE AND MIRRORS: Special Visual Effects B.C. (Before Computers), by Mark D. Wolf (BearManor Media, softcover, 272 pages, $43). A behind-the-scenes look at how movies made you believe before the days of CGI.
  • TERENCE FISHER: Master of Gothic Cinema, by Tony Dalton (Fab Press, softcover, 504 pages, $34.95). An authorized biography of the Hammer director who sparked the second wave of classic horror.
  • UNHOLY COMMUNION: Alice, Sweet Alice, From Script to Screen, by Troy Howarth (BearManor Media, hardcover, 304 pages, $39.95). The making of Brooke Shields’1976 debut.
  • UNIVERSAL ‘40s MONSTERS: A Critical Commentary, by John T. Soister (BearManor Media, hardcover, 798 pages, $52) A huge exploration of the studio’s sometimes overlooked 1940s horrors.
  • UNTOLD HORROR, by Dave Alexander (Dark Horse, hardcover, 152 pages, $39.99). Interviews with top directors about horror films that were never made.
  • WARPED & FADED: Weird Wednesday and the Birth of the American Genre Film Archive, by Lars Nilsen, edited by Kier-La Janisse (Mondo, softcover, 416 pages. $35). How Austin’s Alamo Drafthouse sparked a two-decade restoration effort of near-forgotten films.:
  • WHEN DRACULA MET FRANKENSTEIN: My Years Making Drive-In Movies with Al Adamson, by Sam Sherman (Independent, softcover, 378 pages, $29.95). Tales from the bargain side of filmmaking.
  • YOURS CRUELLY, ELVIRA Memories of the Mistress of the Dark, by Cassandra Peterson (Hachette Books, hardcover, 304 pages, $29). Horror host’s personal and newsmaking autobiography.
  • Or write in another choice:

12) Best Classic Horror Fiction (Fiction that uses horror icons as jumping off points)

  • ATTACK FROM THE ‘80s, edited by Eugene Johnson (Raw Dog Screaming Press, hardcover, 266 pages, $39.95). More than 20 gnarly tales of video monsters and more.
  • BELA LUGOSI’S DEAD, by Robert Guffey (Macabre Ink, softcover, 264 pages, $17.99). A search for the lost Lugosi test footage from Frankenstein leads to an impossible choice.
  • THE CLASSIFIED DOSSIER: SHERLOCK HOLMES & COUNT DRACULA, by Christian Klaver (Titan Books, hardcover, 432 pages, $19.99) The endless vampire and the Great Detective must join forces to defeat a fierce enemy.
  • DRACULA NEVER DIES: The Revenge of Bela Vorlock, by Christopher R. Gauthier (Independent, softcover, 297 pages, $15). Alternate take on the life of a horror star from the 1930s to the 1950s.
  • DRACULA OF TRANSYLVANIA, by Ricardo Delgado (Clover Press, hardcover, 560 pages, $45). An expansive retelling of the Bram Stoker classic, with illustrations.
  • THE FINAL GIRL SUPPORT GROUP, by Grady Hendrix (Berkley, hardcover, 352 pages, $26). A secret group of survivors must fight yet again.
  • HORSEMAN: A Tale of Sleepy Hollow, by Christina Henry (Berkley, hardcover, 315 pages, $17). Villagers wave off the legend of a headless horseman as a myth. But then …
  • THE MAMMOTH BOOK OF FOLK HORROR, edited by Stephen Jones (Skyhorse, softcover, 552 pages, $16.99). Anthology of old and new tales of what lurks in the darkness.
  • MY HEART IS A CHAINSAW, by Stephen Graham Jones (Gallery/Saga Press. Hardcover, 416 pages, $26.99). A woman’s reverence for horror films becomes so intense that she hopes a slasher will come to town.
  • THE PASSION OF THE MUMMY, by Frank J. Dello Stritto (Cult Movies Press, hardcover, 503 pages, $31). A fictional wrapping of the Mummy’s various incarnations, from Universal’s ancient Egypt to Hammer’s modern times.
  • THIS THING OF DARKNESS, by K.V. Turley and Fiorella De Maria (Ignatius, softcover, 260 pages, $16.95). A fanciful interview with Bela Lugosi in 1956 leads a reporter to dark places.
  • TURNING THE TIED, edited by Jean Rabe, Robert Greenberger (International Association Media Tie-in Writers, softcover, 453 pages, $19.99). Sherlock, Dracula, Frankenstein all figure in collection of stories by Max Allan Collins, Jonathan Maberry, Stephen D. Sullivan and others.
  • Or write in another choice:

13) Best Magazine of 2021

  • Bare*Bones
  • Cinema Retro (UK)
  • Classic Monsters of the Movies (UK)
  • The Dark Side (UK)
  • Delirium
  • Fangoria
  • Filmfax
  • Freaky Monsters
  • G-Fan
  • HorrorHound
  • Horror Scholar Journal
  • Infinity (UK)
  • Little Shoppe of Horrors
  • Monster Bash
  • Retro Fan
  • Rue Morgue
  • Scary Monsters
  • Scream (UK)
  • Screem
  • Shock Cinema
  • We Belong Dead (UK)
  • Or write in another choice:

14) Best Article (Please select two; one will win)

  • ‘Child of Dark Shadows,’ by Kathryn Leigh Scott, FANGORIA #11. The disappearance and return of her soap opera co-star.
  • ‘Christopher Lee’s Euro-Horrors,’ by John Martin, THE DARK SIDE #221. How the actor’s European projects helped define him as a horror icon.
  • ‘Dario’s Deep Designer Deaths,’ by Ian Taylor, WE BELONG DEAD #29. Argento’s murders were always in the most elegant settings.
  • ‘A Dinosaur in New York,’ by Mike Hankin, INFINITY #36. Harryhausen expert on the making of Beast From 20,000 Fathoms.
  • ‘Dracula’s House of Science,’ by Mark C. Glassy, SCARY MONSTERS #122-123. Was curing the monsters medical science or Universal quackery
  • ‘The Ferrymen (and Women) of Fright,’ by David Dastmalchian. FANGORIA #11. Why horror hosts matter.
  • ‘Filming Nemo,’ by Gregory Kulon, INFINITY #39. A deep dive into the earliest versions of Mysterious Island and 20,000 Leagues Under the Sea.
  • ‘Haunted Houses for Dummies,’ by George Humenik, SCARY MONSTERS #123. What makes an effective cinema haunted house.
  • ‘Horror Business,’ by Rodrigo Gudino and Andrea Subissati, RUE MORGUE #200. Retracing the history of horror journalism and Canada’s long-running magazine.
  • ‘Horror Heads: The Men Who Ran Hammer,’ by Denis Meikle, THE DARK SIDE #216-218. Profile of James Carreras, Anthony Hinds and others.
  • ‘In Search of the Elusive Monsters of Denis Gifford,’ by Alan Tromp, WE BELONG DEAD #28. A young man’s quest to see films mentioned in Gifford’s Pictorial History guide.
  • ‘I Was a Middle-Aged Werewolf,’ by Paul Davis, FANGORIA #12. Up close with the transformation in An American Werewolf in London.
  • ‘Karloff’s Monster or Lee’s Creature,’ by Nige Burton, CLASSIC MONSTERS OF THE MOVIES ANNUAL 2021. Comparing the two classic portrayals of Mary Shelley’s creation.
  • ‘Kong ’76 at 45,’ by John Hovey, G-FAN #132. Reassessing the controversial remake.
  • ‘Legend of a Blood Countess: The Legacy of Daughters of Darkness,’ by Kat Ellinger, SCREAM #69. How The Vampire Lovers proved not only Dracula can rule the night.
  • ‘London After … No, the Remake,’ by Matthew E. Banks, WE BELONG DEAD #30. Re-examining Tod Browning’s Mark of the Vampire.
  • ‘Lugosi’s Awful Doctor Orloff,’ by Brian J. Robb, THE DARK SIDE #223. Censors just one of the challenges in the making of The Dark Eyes of London.
  • ‘Monsters on Parade,’ by Martin Arlt, MAD SCIENTIST #34. All about Toho’s kaiju celebration, Destroy All Monsters.
  • ‘More Than a Normal Person Can Endure,’ by Jon Towlson, THE DARK SIDE #222. The makings and restorations of Doctor X and Mystery of the Wax Museum.
  • ‘Of Monsters and Magic,’ by Michael Mezmer, SCARY MONSTERS #121-122. Magicians and charlatans in the horror films.
  • ‘The Overlooked Library,’ by Don D’Ammassa, bare*bones #6. Unearthing the Hammer ‘Omnibus’ collections which adapted the studio’s horror classics.
  • ‘Reflections of Fear: The Making of The Gorgon,’ by Joshua Kennedy, LITTLE SHOPPE OF HORRORS #47.
  • ‘Michael Ripper: Hammer’s Most Prolific Star,’ by Alex Hopkins, CLASSIC MONSTERS OF THE MOVIES #24. Career-spanning look at Hammer’s versatile actor.
  • ‘No Death, Only Change,’ by Frank Dello Stritto, SCARY MONSTERS #121. Reincarnation in film goes far beyond the mummy films.
  • ‘Repairing Lon Chaney Jr.’s Legacy,’ by David Rosler, filmsinreview.com A director questions the drunk-on-set reputation of the horror star.
  • ‘Sam Katzman’s Cold War Creatures,’ by Stephen Bissette, SCREEM #39, An examination of the  paranoia and memorable images in Katzman’s 1950s sci-fi thrillers.
  • ‘Say Her Name,’ Natalie Erika James, FANGORIA #12. How director Nia Dacosta guided Candyman through the pandemic.
  • ‘The Secret History of Godzilla vs. Kong,’ by John LeMay, G-FAN #133. The legal and production hurdles faced by the 2021 epic.
  • ‘Storm Clouds Over Collinwood,’ by Rod Labbe, THE DARK SIDE #219. A fan’s personal encounters with the Dark Shadows phenomenon.
  • ‘Suspiria Retrospective,’ by Aaron AuBuchon, HORRORHOUND #90. Both versions of the giallo classic.
  • ‘Twisted Roots of Folk Horror,’ by Andrea Subissati, RUE MORGUE #202. Examining the enduring power of folk legends in Severin’s major box set.
  • ‘A Weekend with Barbara: A Tribute to Barbara Shelley,’ by Stephen Laws, LITTLE SHOPPE OF HORRORS #46. Recalling a 25-year friendship with  late horror queen.
  • ‘Who Will Be His Bride Tonight: The Making of Horror of Dracula,’ by Bruce G. Hallenbeck, LITTLE SHOPPE OF HORRORS #46. Extensive look behind the scenes of one of horror’s most important films (including more than a dozen artist interpretations).
  • ‘Willis O’Brien: Triumph, Tragedy, and the Son of Kong, Parts 1-3’ by Greg Kulon, FILMFAX #157-159. Family nightmare that haunted O’Brien and production.
  • ‘Woman Without a Soul: The Scandalous Second Life of 1914’s Lola,’ by Kelly Robinson, SCARY MONSTERS #122. One of the first film’s about a life restored.
  • Or write in another choice:

15) Best Interview

  • Axelle Carolyn (director, The Manor), by Chris Alexander. DELIRIUM #29.
  • Elvira (Cassandra Peterson), by Sam Irvin, THE DARK SIDE #222.
  • William Friedkin (The Exorcist), by Tony Earnshaw, THE DARK SIDE #223.
  • Halloween Kills (cast and crew), by Jessica Dwyer, HORRORHOUND #91
  • Brett Halsey (actor), by Paul Amundsen (FILMFAX #159-160)
  • Kier-La Janisse (director, Woodlands Dark and Days Bewitched), by Jay Kay. HORROR HOUND #91.
  • Jared Krichensky (designer of latest MegaGodzilla) by Colin McMahon, G-FAN #132/
  • Lynne Lugosi Sparks (Lugosi’s granddaughter), by Don Smeraldi, SCARY MONSTERS #120.
  • Ve Neill (makeup artist), by Meredith Borders, FANGORIA #10
  • Ron Oliver (director of Prom II and III), by Michael Varrati, FANGORIA #10
  • Lara Parker (actress on Dark Shadows), by Rod Labbe, RETROFAN #17.
  • Daniel Roebuck (about The Munsters), by William Wright, ruemorgue.com
  • Martin Stephens (child in Village of Damned), by Calum Waddell,  DARK SIDE #220.
  • Oliver Stone (about his horror influences), by Michael Doyle, RUE MORGUE #200.
  • Or write in another choice:

16) Best Column

  • Asylum for the Psychotronic, by Ansel Faraj in WE BELONG DEAD
  • Emma Dark’s Dark Corner, WE BELONG DEAD
  • Deep Focus, by John-Paul Checkett, SCREEM
  • Devil’s in the Details, by Stacey Ponder, RUE MORGUE
  • Exordium, by Michael Gingold, FANGORIA
  • Files from the Black Museum, by Paul Corupe, RUE MORGUE
  • Grey Matters, by Richard J. Schellbach, Mondo Cult Online
  • It Came from Bowen’s Basement, John Bowen, RUE MORGUE
  • Kaiju Korner, by Mike Bogue, SCARY MONSTERS
  • The Nasty Files by Iain Todd, SCREAM
  • Kim Newman’s Dungeon, THE DARK SIDE
  • Overlooked in Hollywood by Laura Wagner, FILMS OF THE GOLDEN AGE
  • Ralph’s One & Only Traveling Reviews, by Richard Klemensen, LITTLE SHOPPE OF      HORRORS
  • R&D, David J. Schow, BARE*BONES
  • Rondo Remembers, by Ron Adams, MONSTER BASH
  • Scene Queen, by Barbara Crampton, FANGORIA
  • Strange Days by Jason Strangis, SCARY MONSTERS
  • Trilogy of Terror by Jim Ivers, SCARY MONSTERS
  • They Came from the Krypt, by Jon Kitley, HORRORHOUND
  • Or write in another choice:
17) Best Magazine Cover
bare*bones #6 Design by John Scoleri
Classic Monsters of the Movies #25 by Daniel Horne
The Dark Side #222 by Rick Melton
Delirium #27 by Ryan Brookhart
Fangoria #13 Design by Jason Kauzlarich
Fantastique Vintage Vol. 1 by John Capone
Filmfax #158 by Alex Schomburg in 1947
G-Fan #131 by Todd Tennant
HorrorHound #90 by Nathan Hanneman and Joel Robinson
Little Shoppe of Horrors #46 by Mark Madox
Mad Scientist #34 by Jeff Zonow
Scary Monsters #124 by Scott Jackson
Monster Bash #43 by Daniel HOrne
Rue Morgue #202 by John Pearson
Scream #64 Design by Imran Kelly
Screem #39 by Mark Maddox
We Belong Dead #30 by Brux

18) Best Website of 2021

19) Best Podcast

20) Best Events of 2021

  • AFTERNOON OF LIVING DEAD: Despite Covid and bomb scare, cast members from Night of the Living Dead appear at first CHILLER EXPO in two years.
  • AX WOUND VIRTUAL FILM FESTIVAL: Nine days of panels, short films and audience participation.
  • BOND CARS IN ATLANTA: Full-size replicas of James Bond cars on display at MONSTERAMA’s SpyCon2
  • CREEPSHOW CREATORS: The Walking Dead’s executive producer Greg Nicotero and writer Frank Dietz preview Creepshow at WONDERFEST.
  • A DARK SHADOWS CHRISTMAS CAROL: Collinsport Theatre of the Airwaves streams a reading by original cast members, including Lara Parker, Kathryn Leigh Scott, David Selby.
  • HEATHER BUCKLEY HONORED: Film producer, writer and preservationist named ‘Patron of the Cinema’ by New York City’s Winter Film Awards.
  • LIVE AT THE BASH: Authors Greg Mank (Werewolf of London), Frank Dello Stritto (Wizard of Oz), lecture at the Monster Bash.
  • MICHAEL ROOKER in Hawaiian shirt takes charge during Q&A at HORRORHOUND WEEKEND in Cincinnati.
  • MISKATONIC INSTITUTE OF HORROR STUDIES: Online studies of Hammer, voodoo, makeup and more from New York, Los Angeles and London.
  • NIGHTMARE IN HUNT VALLEY: Robert Englund heads up Nightmare on Elm Street panel at MONSTER MANIA.
  • PLAN 9 TABLE READ: SF Sketchfest/TCM present online reading with Bob Odenkirk, Bobcat Goldthwait, Dana Gould (as Criswell), Laraine Newman, David Koechner, others.
  • RAISING THE DEAD: Virtual talk from University of Pittsburgh exploring George A. Romero’s Night of the Living Dead archives.
  • SERLINGFEST: Daughter Anne Serling, expert Marc Zicree and others at Twilight Zone celebration in Binghamton, NY, Rod Serling’s home town.
  • TALKING KONG: Expert Steve Vertlieb appears on Classic Movies with Ron McCloskey to discuss King Kong and gorillas in cinema.
  • THE TRANSGRESSIVE URGE: Horror and Taboo in the 21st Century. An online panel from FANTASIA 2021, hosted by Heather Buckley, with Doug Winer, David J. Schow, Stephen Bissette, Christina Ward, David Kerekes and John Skipp.
  • UNIVERSAL MONSTER PARTY: Scholar David J. Skal, horror host John Stanley celebrate Dracula’s 90th anniversary at Orinda Theatre in California.
  • THE WHISPERER IN DARKNESS: Live/virtual show off-Broadway by RadiotheatreNYC.
  • WOMEN IN HORROR: Female Perspective. Online panel at Beyond Fest hosted by Clarke Wolfe, with Gigi Saul Guerrero, Axelle Carolyn, Marcella Ochoa, Lisa Bruce, Maritte Lee.
  • Or write in another choice:

21) Favorite Horror Host of 2021

  • Al Omega (Creature Features)
  • Arachna of the Spider People (Beware Theatre)
  • Baron Mondo, El Sapo and Mittens (Nightmare Theatre)
  • Big Chuck and Lil John (Cleveland)
  • Bobby Gammonster (MonsterMovieNight)
  • Bone Jangler and Nocturna (The Monster Show)
  • Count Gore DeVol (Creature Feature)
  • Deadwest (Screaming Soup)
  • Drac and Countess Carita (Transylvania Tonight)
  • Dr. Dread (John Murray)
  • Dr. Fearless (David Dastmalchian)
  • Dr. Gangrene (Cinetarium)
  • Elvira (40th Anniversary on Shudder)
  • Gruesome Graves (Haunted Hotel)
  • Halloween Jack (Haunted Theatre)
  • Igorro (The Igorro Show)
  • Ivonna Cadaver (Macabre Theatre)
  • Joe Bob Briggs and Darcy the Mail Girl (Last Drive-In on Shudder)
  • Karlos Borloff (Monster Madhouse)
  • Lamia, Queen of the Dark (Horror Hotel)
  • Lilith Von Bloodworth (Mondo Creepy TV)
  • Lord Blood-Rah (Nerve Wrackin’ Theatre)
  • Marlena Midnight (Midnight Mausoleum)
  • Miss Misery (Movie Massacre)
  • Mr. Lobo (Cinema Insomnia)
  • Penny Dreadful (Shilling Shockers)
  • The Mummy and the Monkey (Hairy Scary Hangout)
  • Ritch & Triv (The Midnight Movie)
  • Son of Ghoul (Ohio)
  • Svengoolie (Me-TV)
  • Vincent Van Dahl (Creature Features)
  • Zelda, Bird & Theo (Off-Beat Cinema)
  • Or write in another choice:

22) Best Graphic Novels/Collections of 2021

  • THE ART OF ENRIC (FPG). Collection of Enric Torres-Prat’s work in comics, paperbacks, and magazines.
  • THE AUTUMNAL: The Complete Series, by Daniel Krause and Chris Shehan (Vault). A daughter returns to the horrors of home.
  • CLAN OF THE DEVIL: The Sawney Beane Saga, by Maurice Devereaux, and various artists. (clanofthedevil.com). Scotland’s secret cannibal cabal.
  • THE COVERS OF EERIE PUBLICATION (Gwandanaland) The grisly covers of the company’s black-and-white horror magazines of the 1960s and beyond.
  • CULT OF DRACULA Collected Edition, by Rich Davis (Source Point Press). A modern take on a timeless legend.
  • DAMNED, CURSED, CHILDREN Vol. 1, by Howard Wong, Josh Stafford, Robin Simon Ng (Source Point). An unthinkable dilemma: Children on a murderous rampage.
  • A DISGUSTING SUPERMARKET OF DEATH, by James C. Harberson III (Margosia). Collected stories of comedy, horror and madness.
  • THE EPIC ART OF JOE SMITH, by Gary Gerani (Dreams and Visions). Poster artist who ranged from Dinsey to Gorgo concepts.
  • THE ICE CREAM MAN, Vol. 6: Just Desserts, by W. Maxwell Prince, Martin Morazzo (Image) A ringing bell signals tales of the bizarre and bitter sweet.
  • JOHN CARPENTER’S TALES FOR A HALLOWEEN NIGHT, VOL. 7, edited by Sandy King. (Storm King, softcover). Variety of creators offer chilling stories.
  • LUGOSI: The Rise and Fall of Hollywood’s Dracula, by Koren Shadmi (Life Drawn). Fact-based graphic novel interpolation of Lugosi’s life and challenges.
  • LUX ET UMBRA: The Monster Sketch Art of Frederick Cooper (Nitt & JibJib, softcover, 100 pages, $24.95). Black and white renditions of classic monsters, introduction by Joe Jusko.
  • MARK SPEARS MONSTER TRADING CARDS (Spears Art) Painted cards feature 72 monsters.
  • MONSTERS, by Barry Windsor-Smith (Fantagraphics). A collection of horror and grotesques, but family, too.
  • NORSE MYTHOLOGY, Vol. 1, by Neil Gaiman and P. Craig Russell, Mike Mignola, Jill Thompson, Jerry Ordway (Dark Horse). Legends of northern gods brought to life.
  • AN OLD SCHOOL HALLOWEEN, by Jason Young (Oldtimes). History of Halloween costumes, toys and art.
  • SHUDDER (Warrant). The renamed Creeps magazine carries on the tradition of EC and Warren horror.
  • SOMETHING IS KILLING THE CHILDREN, Vol. 3, by James Tynion IV, Werther Delledera (Boom!) Some monsters hide in plain sight.
  • THOUGHTFUL CREATURES, by Steve Bissette. A 120-page sketchbook from the artist of Swamp Thing and others.
  • Or write in another choice:

Write-In Categories

23) Writer of the Year (Whose work stood out in 2021?)

24) Best Artist of 2021

25) Best Fan Artist of 2021 (The Linda Miller Award)

SPECIAL CATEGORIES: Your votes will help determine who receives these special awards:
 

26) Monster Kid of the Year

This is Rondo’s highest honor: Who did the most in 2021 to advance the cause of classic horror scholarship, film preservation or genre creativity?
 

27) Special Recognition

Who deserves recognition for achievements that may have been overlooked or don’t fit into other categories?
 

28) The Monster Kid Hall of Fame

Name as many as six fans, pros, writers, artists, researchers, horror hosts or others who over the years have made a permanent mark on the world of classic horror appreciation.
 

2024 Halloween Shopping

September 4, 2024 No Comments

Happy Halloween shopping 2024! For over two decades now, the Halloween shopping season has been my main time for household and clothing purchases. Each year, I love to shop around

Read More »

57 Ghosts

February 16, 2024 No Comments

Take part in a spirited séance aboard the historic – and haunted – Queen Mary with 57 Ghosts. From Master Magician and Apparitionist Aiden Sinclair, this 90-minute immersive experience takes

Read More »

Creatures-Con

Creatures-Con, is dedicated to the world of TV Horror Hosts, Classic and Camp Sci-Fi and Horror Films and Monster Kid Culture!

This event was cancelled for 2023.

CT Horrorfest

CT Horrorfest is a horror fan event featuring celebrity guests and exhibitors. The event is presented by Connecticut-based horror website Horror News Network.

About My Blog

Welcome to my home of all things horror & Halloween! The Horror of Being Emily showcases resources, creative projects, small businesses, and more related to my weird and wonderful Halloween & horror obsession.

Follow Me on social

Instagram Facebook Youtube

Search

Stay Up-To-Date
Sign Up For Our Newsletter

Terms & Conditions / Privacy Policy

Ⓒ 2022 - The Horror of being Emily, All Rights Are Reserved.

Buffalo Website Design by: StandOut Marketing